Here are 6 famous musicians from Philippines died at 69:
Ángel Esmeralda (October 1, 1915-April 5, 1985) a.k.a. Angel Esmeralda was a Filipino actor. He had one child, Jay Ilagan.
Esmeralda was born in Manila, Philippines and started his acting career in the 1940s. He appeared in numerous films and became a popular leading man in Philippine cinema during his time. Esmeralda was also known for his roles in television dramas and was a familiar face in TV during the 1970s and 1980s. In addition to his successful acting career, Esmeralda was also a pilot and served as a flight instructor for the Philippine Air Force. He passed away in 1985 at the age of 69 due to heart attack.
Esmeralda's acting career spanned several decades, and he worked with many of the top stars and directors of his time. He was particularly known for his work with director Lino Brocka, appearing in several of Brocka's films including "Maynila: Sa Mga Kuko ng Liwanag" and "Jaguar." Esmeralda was also a singer and had several hit songs, including "Sana'y Pag-ibig Mo Ay Tunay" and "Maraming Salamat Sa Inyo." He was a popular personality both on and off screen, known for his charm, humor, and generosity. After his untimely death, he was honored with a posthumous lifetime achievement award by the Filipino Academy of Movie Arts and Sciences.
Esmeralda's son, Jay Ilagan, followed his father's footsteps and became an actor as well. However, Ilagan's life ended in tragedy when he died of a drug overdose in 1992. Esmeralda's daughter, Amy Austria, is also a well-known actress in the Philippine entertainment industry. Esmeralda's legacy continues to live on as he is considered one of the most iconic actors in Philippine cinema history. In 2015, his birth centenary was celebrated by the Philippine movie industry, showcasing his contributions as an actor and pilot. His life's work is a testament to his love and dedication to the arts and his country.
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Eddie Rodriguez (August 23, 1932 Zamboanga City-September 12, 2001 Pasig) a.k.a. Luis Clemente Enriquez, Luis B. Enriquez, Luis Enriquez or Ka Eddie was a Filipino actor, screenwriter, writer and film director. His children are called Francis Albert Rodriguez, Angel Rodriguez, Sheina Rodriguez and Dominic Luis Rodriguez.
Eddie Rodriguez was among the most talented and versatile actors of his time, having been involved in the Philippine entertainment industry for more than five decades. He began his career in the movie industry in the early 1950s and appeared in a wide variety of films throughout his career, ranging from drama to comedy, action and romance.
Apart from his acting career, Eddie Rodriguez was also an accomplished screenwriter, writing scripts for many of his own movies as well as those of other directors. He eventually branched out into directing, proving to be just as adept behind the camera as he was in front of it. Some of the films he directed include "Anak ng Bulkan", "Mga Mata ni Angelita", and "Dugo ng Bayan".
Despite his success in the entertainment industry, Eddie Rodriguez remained humble and always put his family first, often spending time with his children and grandchildren even during the peak of his career. His legacy lives on through his work, which continues to inspire and influence generations of Filipino filmmakers and actors.
In addition to his work in the entertainment industry, Eddie Rodriguez was also a patriotic individual. He was a member of the Katipunan ng mga Artistang Pilipino sa Pelikula at Telebisyon (KAPPT), an organization of Filipino artists dedicated to promoting nationalistic themes in movies and television. He was also part of the National Commission for Culture and the Arts (NCCA), where he advocated for the preservation and promotion of Philippine culture and the arts.
Outside of his work, Eddie Rodriguez was known for his love for basketball. He coached basketball teams for aspiring young athletes and even owned a basketball team called the "Eddieboy Rodriguez Basketball Association". In 1997, he was recognized by the Philippine Basketball Association (PBA) for his contributions to the sport.
Eddie Rodriguez was an influential figure in Philippine cinema and his contributions to the industry have been recognized with numerous awards, including the Lifetime Achievement Award given by the Film Academy of the Philippines in 1994. His life and career continue to be celebrated by the Filipino people, who remember him as a talented artist, a loving family man, and a Filipino patriot.
In addition to his work as an actor, screenwriter, and film director, Eddie Rodriguez also had a brief stint in politics. In 1992, he ran for mayor of Quezon City but was unsuccessful. However, he remained active in the community and continued to be involved in various charitable causes, particularly those benefitting children. He was also a devout Catholic and served as a lay minister in his local church. Later in life, Eddie Rodriguez battled lung cancer and passed away on September 12, 2001, leaving behind a lasting legacy in Philippine cinema and culture. Despite his passing, his films continue to be enjoyed by audiences and his impact on the entertainment industry lives on.
He died caused by lung cancer.
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Manuel Conde (October 15, 1915 Daet, Camarines Norte-August 11, 1985 Philippines) also known as Manuel Urbano or Juan Urbano was a Filipino film director, actor, screenwriter and film producer. He had one child, Jun Urbano.
Conde began his career in the film industry in 1934 as an actor in the film "Ang Aswang" and went on to star in several more films including "Siete Infantes de Lara" and "Hindi ako Anak ng Pasig." In 1940, he directed his first film, "Genghis Khan," which was a huge success and established him as a prominent filmmaker in the Philippines.
Throughout his career, Conde directed a number of critically acclaimed films, including "Juan Tamad Goes to Congress" and "Ibong Adarna." His films often explored social issues and political themes, and he was known for his attention to detail and use of traditional Filipino folk tales and mythologies in his storytelling.
Conde also played an important role in the preservation of Filipino cinema. He founded the Movie Workers Welfare Fund in 1952 and served as the president of the Philippine Motion Picture Producers Association from 1965 to 1970. Additionally, he was one of the founders of the Filipino Academy of Movie Arts and Sciences, which established the FAMAS Awards in 1952 to recognize excellence in Philippine cinema.
Despite his many accomplishments, Conde's contributions to Filipino cinema were not fully appreciated until years after his death. Today, he is regarded as one of the most important figures in the history of Philippine cinema, and his films continue to be studied and admired by filmmakers and critics around the world.
Conde was educated at the University of the Philippines, where he studied law. However, his passion for film led him to pursue a career in the movie industry instead. In the early days of his career, Conde worked with other important figures in Philippine cinema, such as Gerardo de Leon and Lamberto Avellana, both of whom were also directors.
Aside from his work in film, Conde was also involved in politics. He was a member of the Liberal Party and served as a municipal councilor in his hometown of Daet, Camarines Norte. He also ran several times for political office but was not successful in his bids.
In 1972, Conde suffered a massive stroke that left him partially paralyzed. He continued to make films despite his illness, but his output decreased significantly. He died in 1985 at the age of 69, leaving behind a legacy of groundbreaking films and contributions to the Philippine cinema industry.
In 1983, Conde was honored with a Lifetime Achievement Award by the Cultural Center of the Philippines for his contributions to Philippine cinema. He was also posthumously awarded the Gawad CCP Para sa Sining in 1986. In 1995, the Manila International Film Festival recognized him with a Lifetime Achievement Award for his contribution to world cinema. In 2015, during his centennial year, the Film Development Council of the Philippines held a retrospective of his films to celebrate his life and legacy.
Conde's films have been screened at film festivals around the world, including the Cannes Film Festival, where "Ibong Adarna" was shown in 1953. In 2013, the Cannes Film Festival featured a restored version of "Genghis Khan" as part of their "Classics" section.
Conde's influence on Philippine cinema continues to inspire filmmakers today. His use of Filipino folklore and mythology in his films has been particularly noteworthy, and has helped to preserve these stories for future generations. His critical approach to social commentary and politics in his films has also left an indelible mark on Philippine cinema.
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Celso Ad. Castillo (September 12, 1943 Siniloan, Laguna-November 26, 2012 Siniloan, Laguna) also known as Celso Advento Castillo, Celso Ad Castillo, Celso ad'Castillo, Celso Kid, The Kid, Arif Amiruddin bin Abdullah or Celso Adolfo Castillo was a Filipino screenwriter, actor, film director and film producer. He had four children, Christopher Ad. Castillo, Patrick Ad. Castillo, Monique Castillo and Roxanne Ad. Castillo.
He is known for his contributions to Philippine cinema, particularly during the 1970s and 1980s. He wrote and directed several films that are now considered classics, such as "Asedillo", "Burlesk Queen", "Nympha", and "Init sa Magdamag". He also worked with some of the biggest names in Philippine cinema including Nora Aunor, Vilma Santos, Lorna Tolentino, and Eddie Garcia.
Castillo started his career in the film industry at a young age, working as an assistant director and screenwriter for some of the biggest film studios in the Philippines. In 1971, he became a director and got his big break with the film "Asedillo", which starred Fernando Poe Jr. and marked the start of his long and successful career.
Aside from his work in film, Castillo was also a well-known writer and journalist. He co-founded the Philippine Daily Inquirer and wrote for several other publications throughout his career.
Castillo died on November 26, 2012, at the age of 69, in his hometown of Siniloan, Laguna. His contributions to Philippine cinema continue to be celebrated and remembered to this day.
Castillo's work was not limited to just commercial films. He also directed films with social and political themes, such as "Sakada" and "Pagputi ng Uwak, Pag-itim ng Tagak". His films often explored the complexities of human relationships, sexuality and societal issues. He received numerous awards and recognitions throughout his career including the Gawad Urian Lifetime Achievement Award in 1992 and the Ishmael Bernal Award for Film in 2011. Castillo was also a member of the Young Critics Circle and served as chairman of the Film Academy of the Philippines. Despite facing financial difficulties in his later years, Castillo remained dedicated to his craft and continued making films until his death. He left behind a legacy as one of the most influential and respected figures in Philippine cinema.
Additionally, Castillo was known for his unique approach to filmmaking, often experimenting with unconventional camera angles and editing techniques. He had a reputation for being a perfectionist and was known to have a close working relationship with his actors, often pushing them to deliver their best performances. Castillo's impact on Philippine cinema was not limited to his directing and writing. He was also instrumental in introducing new talent into the industry, with many actors and filmmakers citing him as their mentor. Castillo's work has been celebrated in retrospectives and film festivals both in the Philippines and abroad. His films continue to inspire and influence a new generation of filmmakers, and his legacy as a pioneering figure in Philippine cinema remains strong.
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Subas Herrero (April 3, 1943 Manila-March 14, 2013 Rochester) a.k.a. Ricardo Wright Herrero, Ricardo Herrero, Subas Herrera, Subhas Herrero or Zubas Herrero was a Filipino actor, comedian and singer. He had five children, Choy Herrero, Marimi Herrero-Jaarsma, Cutuy Herrero, Inez Herrero-Redman and Sandra Herrero-Gonzalvez.
Subas Herrero began his career in show business in the 1960s as a singer and performer for bodabil, a popular vaudeville-style entertainment in the Philippines. He then transitioned to acting in movies and television. He appeared in over 70 films, including "Ala Verde, Ala Pobre" and "Ang Pinakamagandang Lalaki sa Balat ng Lupa". He also had notable roles in TV shows such as "Palibhasa Lalake" and "Home Along Da Riles".
Aside from entertainment, Herrero was also active in political and social issues. He was a member of the anti-dictatorship movement during the Marcos regime and was a vocal advocate for the rights of Filipino migrant workers.
Despite his success in show business, Herrero was known for being down-to-earth and approachable. He was also known for his comedic timing and musical talents, which earned him several awards and recognition throughout his career.
Herrero's death in 2013 was mourned by many in the entertainment industry and his fans. His legacy continues to inspire and entertain people, and his contributions to Philippine art and culture will always be remembered.
In addition to his singing and acting career, Subas Herrero was also a prolific stage performer. He appeared in numerous productions of Filipino musicals and stage plays, including "Alikabok" and "Sanlingo". Herrero was known for his versatility and his ability to seamlessly transition between comedic and dramatic roles.
Herrero was also a successful businessman, as he owned a chain of restaurants and bars in the Philippines. He was involved in the operations of these establishments, which became popular hangout spots for celebrities and entertainment industry insiders.
Later in life, Herrero moved to the United States, where he continued to be active in the Filipino community. He remained a vocal advocate for the rights of Filipino migrant workers and was involved in various efforts to promote Filipino culture and heritage in the US.
Herrero's contributions to Philippine entertainment and society were recognized by numerous awards and accolades. He received a Lifetime Achievement Award from the Filipino Academy of Movie Arts and Sciences (FAMAS) in 2009, as well as the Gawad Urian Lifetime Achievement Award in 2012.
Subas Herrero's legacy as a talented performer, outspoken activist, and successful businessman continues to inspire Filipinos around the world.
Despite his successful career in show business and business ventures, Subas Herrero remained grounded and was known for his simple lifestyle. He was a devoted family man and was deeply involved in his children's lives. He encouraged them to pursue their passions and supported them in their endeavors.
In addition to his activism for the rights of Filipino migrant workers, Herrero was also a staunch advocate for environmental conservation. He was a member of the Philippine Environmental Movement, which aimed to promote sustainable development and protect the country's natural resources.
Herrero's dedication to social and political issues earned him the respect and admiration of many in the Philippines and beyond. His passing was a great loss to the entertainment industry and the Filipino community, but his legacy lives on through his family, his work, and his advocacy.
He died in respiratory failure.
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Hermogenes Ilagan (April 19, 1873 Balagtas, Bulacan-February 27, 1943) also known as Father of Tagalog Zarzuela or Father of Philippine Zarzuela was a Filipino playwright and writer.
He studied at the Colegio de San Juan de Letran and graduated with a degree in Philosophy and Letters from the University of Santo Tomas. Ilagan wrote numerous plays and zarzuelas, which were widely popular during his time. Some of his famous works include "Walang Sugat," "Kahapon, Ngayon at Bukas," and "Tanikalang Ginto." Aside from being a playwright, he also worked as a journalist and served as the editor of the newspaper El Renacimiento. Ilagan was also a member of the Philippine Independent Church and became a bishop in 1903. He is recognized as an important figure in the development of Philippine drama and his works continue to be performed and studied today.
Ilagan was also an advocate for the use of Tagalog in literature and theater, and he played a significant role in promoting the language's use in Philippine arts. He believed that using Tagalog would help in expressing the national identity of the Filipino people. Ilagan's works often depicted the struggles of the Filipino people during the Spanish colonization, and he used his writing to promote nationalism and patriotism. In 1943, during the Japanese occupation of the Philippines, Ilagan was executed along with other Filipino intellectuals for their opposition to the occupation. Today, Ilagan is remembered as a pioneer of Philippine theater and a champion of Tagalog language and identity.
Ilagan's influence on Philippine theater and literature can still be seen today, as his works continue to be adapted and performed by contemporary theater groups. He also inspired a generation of writers and playwrights to use Tagalog in their works, and his advocacy for the language helped pave the way for its recognition as one of the official languages of the Philippines. Ilagan's legacy also extends beyond theater and literature, as his political and social views influenced other aspects of Filipino culture. His dedication to promoting Philippine identity and nationalism contributed to the country's struggle for independence and helped shape the modern Filipino identity. Despite the tragic circumstances of his death, Ilagan's contributions to Philippine arts and culture will always be remembered and celebrated.
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