Swedish actresses who were born in 1900
Here are 5 famous actresses from Sweden were born in 1900:
Karin Juel
Karin Juel (May 26, 1900 Stockholm-May 2, 1976 Stockholm) a.k.a. Juel, Karin, Katherind van Goeben, Karin Sofia Järrel or Karin Sofia Engdahl was a Swedish actor. She had two children, Inger Juel and Bengt Järrel.
Karin Juel started her acting career in the 1920s and appeared in several Swedish silent films. However, she is best known for her work in theater and cabaret. She became a popular cabaret artist in the 1930s and performed frequently in Stockholm, Berlin, and Paris. She was known for her sultry voice and was often referred to as the "Queen of Cabaret."
During World War II, Juel returned to Sweden, where she continued to perform in theater and film. She also worked as a producer, creating a popular radio program called "Karusellen."
In addition to her work in entertainment, Juel was involved in politics and was a member of the Swedish Communist Party. She was known for her progressive views and frequently used her platform as an artist to advocate for social change.
Juel continued to perform in theater and cabaret until the end of her life. She passed away in Stockholm on May 2, 1976, at the age of 75.
Karin Juel was born on May 26, 1900, in Stockholm, Sweden. She was the daughter of Hjalmar Juel, a journalist, and Gerda Juel, a feminist and women's rights advocate. Juel grew up in a politically engaged and progressive household, which influenced her own political beliefs and activism later in life.
After starting her acting career in the 1920s and working in silent films, Juel turned to cabaret in the 1930s. She quickly became a crowd favorite and was celebrated for her magnetic stage presence, charisma, and sultry voice. Her performances in Berlin and Paris made her an international sensation, and she was lauded as the "Queen of Cabaret."
During World War II, Juel returned to Sweden and continued to work in theater and film. She also became involved in the production of a popular radio program called "Karusellen," which featured comedy and music. Juel's reputation as a performer and producer grew, and she became known as one of the most influential women in the cultural scene of 1940s Sweden.
In addition to her work in entertainment, Juel was actively involved in politics and was a member of the Swedish Communist Party. Her progressive views and activism were an important part of her identity, and she frequently used her platform as an artist to advocate for social justice and equality.
Karin Juel's contributions to theater and cabaret were significant, and she continued to work and perform until her death on May 2, 1976, in Stockholm. She was 75 years old. Her legacy as a cultural icon, performer, and activist has endured and she is remembered as a trailblazer and groundbreaking artist in the Scandinavian entertainment industry.
Juel's impact on the Swedish cultural and political landscape was significant, and she influenced many artists and activists who followed in her footsteps. In 1963, Juel was awarded the Illis Quorum medal by the Swedish government, which recognized her contributions to Swedish theater and culture. She was also the subject of several biographies and documentaries that explored her life and legacy, including the 2012 documentary "Karin Juel: The Queen of Cabaret." Juel's influence on cabaret and theater continues to be felt today, and her commitment to social justice and equality remains an important part of her legacy.
Throughout her career, Karin Juel was known for her captivating performances and her ability to connect with audiences on a deep level. Her talent as a singer and actor, combined with her political activism and advocacy, made her a prominent figure in Swedish entertainment and culture.
Juel's legacy is particularly notable because of the obstacles she faced as a woman in a male-dominated industry. Despite these challenges, she remained uncompromising in her commitment to her craft and her beliefs. Her influence in theater and cabaret lives on, and her dedication to using her platform as an artist to promote social justice continues to inspire new generations of artists and activists.
Hanny Schedin
Hanny Schedin (November 14, 1900 Smedjebacken-December 29, 1976 Stockholm) a.k.a. Hannah Matilda ( Hanny ) Schedin, Hannah Matilda Gustafson, Hanni Schedin or Gustafson was a Swedish actor.
She began her career at a young age, studying at the Royal Dramatic Theatre in Stockholm's acting school. Schedin made her first film appearance in 1920, and went on to work in several Swedish films throughout the 1920s and 1930s. She gained international recognition for her role in the film "Ingmarssönerna" (The Sons of Ingmar) in 1949, which was directed by Ingmar Bergman.
Aside from her successful acting career, Schedin also lived an interesting personal life. She was married twice, first to the actor and director Per Gerhard (with whom she had one child) and later to the writer and journalist Ludvig Nordström. Schedin was also a polyglot, able to speak multiple languages fluently, which served her well during her travels around the world.
After her acting career, Schedin continued to work in theater and also taught acting at the Royal Dramatic Theatre's school. She was awarded the Illis quorum in 1963, an honor bestowed by the Swedish government for exceptional contributions to the country.
Schedin's talent as an actor was widely recognized in Sweden, where she acted in both stage and film productions. Her most notable theatrical performances include roles in "A Dream Play" and "Les Parents terribles (Indiscretions)" by French playwright Jean Cocteau, as well as "Ghosts" by Norwegian playwright Henrik Ibsen. In addition to her work in film and theater, Schedin was also a prominent radio personality and appeared on several Swedish radio programs during the 1940s and 1950s.
Despite her success, Schedin struggled with health issues throughout much of her life. She was diagnosed with breast cancer in the late 1930s, but after undergoing a mastectomy, she continued to work and pursue her passion for acting. In her later years, however, her health declined, and she was forced to retire from acting due to her worsening condition. She passed away in Stockholm in 1976, leaving a legacy as one of Sweden's most beloved actors.
Schedin's versatility as an actor was one of her greatest strengths. She was known for her ability to play both comedic and dramatic roles, and her performances were often praised for their naturalism and authenticity. In addition to her work in Swedish film and theater, Schedin also made a number of international appearances. She appeared in the 1951 British film "The Magic Box", which was directed by John Boulting and featured a star-studded cast including Laurence Olivier, Robert Donat, and Margaret Johnston. Schedin was also invited to perform at the Edinburgh Festival in 1953, where she appeared in a production of "The Stronger" by Swedish playwright August Strindberg.
Schedin was actively involved in the Swedish artistic community throughout her life. She was a member of the Swedish Actors' Equity Association and served on the board of the Stockholm City Theatre. She also worked with several charitable organizations, including the Swedish Society for Patients with Cancer and the Swedish Association for the Hard of Hearing.
In recognition of her contributions to Swedish culture, Schedin was awarded the Swedish Royal Medal Litteris et Artibus in 1953. She also received the Order of Vasa in 1958 for her services to Swedish theater. Today, she is remembered as a pioneering figure in Swedish cinema and theater, and her legacy continues to inspire new generations of actors and artists.
Despite battling breast cancer and undergoing a mastectomy, Hanny Schedin continued to perform and work tirelessly. Her determination and resilience made her a role model for many in the Swedish artistic community. Schedin's success in the film industry paved the way for other Swedish actors to achieve international recognition. She was featured in several films directed by Alf Sjöberg, including the critically acclaimed film "Miss Julie" in 1951. Schedin's work in theater was also highly-regarded, and she received several awards for her performances, including the Swedish Theatre Critics' Award for her portrayal of Mrs. Alving in "Ghosts."
Schedin's legacy lives on, and her contributions to Scandinavian culture are celebrated in museums and exhibitions throughout Sweden. Her extraordinary career as an actor, her polyglot skills, and her dedication to her craft make Schedin a significant figure in the history of Swedish cinema and theater.
Rut Holm
Rut Holm (November 1, 1900 Avesta-July 4, 1971) otherwise known as Holm, Rut or Ruth Holm was a Swedish actor.
She began her acting career in the 1920s and went on to perform in over 70 films, including many well-known Swedish classics such as "Karin Ingmarsdotter" and "The Wind is My Lover". Holm was known for her versatility and ability to perform in a wide variety of roles. In addition to her film work, she also appeared on stage and on radio. Later in life, she became a well-respected acting teacher at the Royal Dramatic Theatre in Stockholm, where she worked until her retirement in the 1960s. Holm was also a musician and played the violin. Her contributions to the arts in Sweden have been recognized with different awards, including the Litteris et Artibus medal in 1948.
Throughout her long and successful career, Rut Holm became a beloved icon of Swedish cinema. Not only was she one of the most prominent film actresses of her time, but she was also a pioneer for women's rights in the industry. She often played strong, independent women who challenged societal norms and expectations, inspiring many young girls and women to do the same. Holm's legacy continues to live on through her films, which remain popular in Sweden and beyond. Her dedication to her craft and her unwavering commitment to the arts make her a true inspiration to all those who pursue creative endeavors.
Holm was born on November 1, 1900, in Avesta, Sweden. Her father was a teacher and her mother was a homemaker. She grew up in a family that valued education and the arts, and she was encouraged to pursue her passion for acting from a young age. Holm trained as an actor at the Royal Dramatic Theatre's acting school in Stockholm, graduating in 1922.
Her first professional acting job was with the theater company at Göteborgs stadsteater where she stayed for a year before moving on to work at the Royal Dramatic Theater in Stockholm. Holm quickly became one of the most sought-after actors in Sweden, known for her range and natural talent. Her film career began in the late 1920s and continued until the 1960s.
Holm was married to the film director Rune Carlsten from 1928 until his death in 1953. They had two children together, a daughter named Marianne and a son named Lars. Despite her busy career, Holm was a devoted mother who made sure to prioritize her family above all else.
Aside from acting and teaching, Holm was an avid reader and writer. She published a memoir in 1966 titled "I teatervärlden" ("In the theater world"), which detailed her experiences as an actor and highlighted her thoughts on the state of the Swedish theater.
Holm continued acting until her retirement in the mid-1960s, but she remained a beloved figure in Swedish culture until her death on July 4, 1971, at the age of 70.
Throughout her career, Rut Holm was not only a talented actress but also a trailblazer for women's rights in the Swedish film industry. She fought for equal pay and better working conditions for female actors, and her efforts paved the way for future generations of women in the industry. Holm's legacy also extends beyond her work in film and theater. She was involved in various human rights organizations and was a passionate advocate for social justice. Her contributions to Swedish culture and society have left an indelible mark, and she remains an inspiration to many aspiring actors and activists. Today, Rut Holm is remembered as one of Sweden's most iconic actresses and a pioneer for gender equality in the arts.
Greta Lindgren
Greta Lindgren (May 26, 1900 Falköping-) is a Swedish actor and opera singer.
She was born in Falköping, Sweden and studied at the Royal Swedish Academy of Music in Stockholm. Lindgren made her debut at the Royal Swedish Opera in 1926 and went on to have a successful career there as well as performing with other companies in Europe and the United States. In addition to her work in opera, Lindgren also appeared in several Swedish films in the 1930s and 1940s. She retired from the stage in the early 1950s but continued to teach singing until her death. Lindgren is remembered as one of Sweden's greatest sopranos, known for her beautiful voice and engaging stage presence.
Lindgren's talent was recognized early on when she won a medal at a singing competition at the age of 16. She went on to complete her vocal training with some of the most renowned voice teachers of the time, including Maja von Malmborg and Gillis Bratt. Lindgren's performances were highly praised by critics and audiences alike, and she was admired for her range, precision, and emotional expressiveness as a singer.
During her career, Lindgren performed a wide range of roles, from Carmen to Mimi in La Bohème to Susanna in The Marriage of Figaro. She also excelled in Swedish opera, bringing to life characters from the country's folklore and history. One of her most celebrated roles was as Kristina in Ture Rangström's opera Kronbruden (The Crown Bride), which was written specifically for her.
In addition to her work as an opera singer and actor, Lindgren was a dedicated teacher of singing. She gave private lessons and masterclasses both in Sweden and abroad, and her students included some of the most prominent Swedish singers of the next generation.
Lindgren received numerous honors during her lifetime, including the Litteris et Artibus medal from the Swedish government in 1947, and she was also designated as a court singer by King Gustaf VI Adolf. Despite her fame and success, Lindgren was known for her modesty and generosity, and she remained committed to promoting the arts throughout her life.
In addition to her career as an opera singer and actor, Greta Lindgren was also a dedicated advocate for the arts. She served on the board of the Royal Swedish Academy of Music for many years and was a frequent speaker on the importance of music education. Lindgren was also active in several charitable organizations, including the Swedish Society for Nature Conservation and the Swedish Red Cross.
Throughout her life, Lindgren maintained a deep connection to her hometown of Falköping, and she was known for her generosity towards the local community. She donated money to build a new hospital in the town and supported various cultural initiatives, including a music festival that still takes place there today.
Lindgren's legacy continues to be celebrated in Sweden and beyond, and her recordings are still highly regarded by critics and audiences alike. In 2001, the Royal Swedish Opera established the Greta Lindgren Award in her honor, which is given annually to a talented young singer. Today, Lindgren is remembered as one of Sweden's greatest cultural icons, a talented and dedicated artist who left an indelible mark on the world of opera and beyond.
Lindgren's impact on the world of opera extended beyond her life, as she also inspired a fictional character in one of Sweden's most beloved novels. In Vilhelm Moberg's "The Emigrants" series, the female protagonist Kristina is based on Lindgren, and her struggles and triumphs in the new world are a testament to Lindgren's own determination and resilience.
Despite her retirement from the stage, Lindgren remained active in the arts community until her death in 1985 at the age of 84. Her legacy continues to inspire generations of Swedish singers and performers, and her contributions to the world of opera and culture at large are celebrated to this day.
Brita Öberg
Brita Öberg (May 22, 1900-December 26, 1969 Stockholm) a.k.a. Brita Golowin, Britta Öberg, Brita Öberg-Golowin or Brita Amalia Öberg was a Swedish actor.
She was born in Stockholm, Sweden and began her acting career there in the 1920s. Over the course of her career, she appeared in over 30 films and several stage productions. Some of her notable film roles include Ingrid in "Swing it, magistern!" (1940), Märta in "Pengar - en tragikomisk saga" (1946), and Lisa in "The Seventh Seal" (1957) directed by Ingmar Bergman. Öberg was also known for her work in Swedish radio dramas, particularly in the 1940s and 1950s. She passed away in Stockholm in 1969 at the age of 69.
In addition to her successful acting career, Brita Öberg was also a prominent member of the Swedish theatre scene. She appeared in various productions at the Royal Dramatic Theatre as well as other theatres in Sweden. Öberg was married twice, first to the actor Bengt Djurberg and later to director and producer Gustaf Wally. She also had two children, a son named Stig and a daughter named Gerd. Despite her success in the entertainment industry, Öberg was known for her private nature and rarely gave interviews or made public appearances outside of her work.
öberg is considered as one of the most talented and versatile actors in Swedish cinema history. In addition to her work in films and on stage, she also lent her voice to several animated films and was a popular narrator for Swedish audiobooks. Öberg was also a skilled painter and sculptor and exhibited her works in several galleries throughout Sweden. Though she preferred to keep her private life out of the public eye, she was known to be a passionate advocate for animal rights and supported several animal welfare organizations throughout her life. Her contributions to Swedish theatre and cinema have been recognized with several awards, including the Royal Medal for her distinguished contributions to Swedish culture. Today, Brita Öberg's legacy lives on as a beloved and highly respected figure in Swedish entertainment history.
In addition to her successful acting and artistic career, Brita Öberg was also a political activist. She was a member of the Swedish Communist Party and campaigned for socialist and workers' rights throughout her life. Öberg was particularly passionate about issues pertaining to women's rights and gender equality, and she advocated for these causes in her work and personal life. Despite facing backlash and persecution for her political views during the 1940s and 1950s, Öberg continued to use her platform as a public figure to speak out against injustice and inequality. She remains an inspiration to many in Sweden and beyond, both for her artistic talents and her unwavering commitment to social justice.