Here are 13 famous musicians from Argentina died at 68:
Tato Bores (April 27, 1927 Buenos Aires-January 11, 1996) also known as Mauricio Borensztein was an Argentine comedian. He had three children, Alejandro Borensztein, Sebastián Borensztein and Marina Borensztein.
Tato Bores was widely known and acclaimed for his satirical humor and social commentary on Argentine society and politics. He began his career in the 1950s as a radio personality and later became a popular TV host and actor, appearing in numerous variety shows, sitcoms and movies. Bores was recognized for his pioneering work in the field of political satire, using humor as a form of criticism and calling attention to corruption, dishonesty and social inequality. He won several awards for his contributions to the Argentine entertainment industry, including the prestigious Konex Award in 1981. Despite his success, Bores was known to be a private person who shied away from public attention. His legacy continues to inspire many comedians and satirists in Argentina today.
Tato Bores was born into a Jewish family in Buenos Aires, Argentina. His father, Isaac Borensztein, was a tailor and his mother, Sarah Zaldívar, was a homemaker. Bores grew up in the neighborhood of Balvanera, where he attended school and developed his passion for comedy and entertainment. He began his career as a radio host in the 1950s, where he quickly gained popularity for his witty humor and sharp commentary.
In 1962, Bores made his debut on television with a show called "La Tuerca", which became an instant success. The show featured Bores performing comic monologues and sketches that poked fun at politicians, celebrities, and popular culture. He created a number of memorable characters, including "Miguel de Calvario", a self-righteous news anchor, and "El Hombre Elefante", a man with a trunk-like nose.
Throughout the 1960s and 1970s, Tato Bores continued to host a variety of TV shows and movies, including "Tato en la U" and "La Troupe de Tato". He also wrote and directed several plays and musical revues, including "Voir Dire" and "La Varieté de Bores". Bores was renowned for his ability to blend humor with social criticism, and his biting satire often drew attention to the country's political and economic issues.
Despite suffering from cancer in his later years, Tato Bores continued to work and perform until his death in 1996. He is remembered as a trailblazing figure in Argentine comedy and entertainment, who used his platform to shed light on important social and political issues.
He died caused by cancer.
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Juan María Gutiérrez (May 6, 1809-February 26, 1878) was an Argentine scientist and writer.
Born in Buenos Aires, Gutiérrez studied law but found his passion in literature and science. He contributed to several publications and became a prestigious intellectual figure in the Buenos Aires cultural scene during the mid-1800s. He was part of the "Generation of 37," a group of writers who strongly advocated for social and political changes in Argentina.
Gutiérrez also made several significant contributions to the field of natural history, with a particular interest in ornithology. He published numerous works and journal articles on the subject, including the first complete catalogue of Argentinian birds.
During the 1850s, Gutiérrez served on the Buenos Aires provincial legislature and later as the Minister of Education. His influence helped establish a stronger emphasis on education and culture throughout Argentina.
Gutiérrez passed away in Buenos Aires in 1878, leaving behind a legacy as one of Argentina's most notable intellectuals and naturalists.
Gutiérrez was a prolific writer, producing numerous literary works throughout his career. He was known for his advocacy of romanticism and his contributions to Argentina's literary scene during the mid-1800s. He published several works of poetry, including "Earlier Poems," which he wrote when he was just 18 years old, and "Collected Poems," which was published posthumously in 1920. Gutiérrez was also a respected essayist and wrote about a variety of topics including literature, politics, and social issues.
In addition to his work as a writer and scientist, Gutiérrez was also involved in politics. He was a member of the Unitarian Party, a political group that was opposed to the Argentine Confederation government. Gutiérrez served as a provincial legislator in Buenos Aires during the 1850s and later as the Minister of Education.
Gutiérrez's contributions to Argentine natural history and ornithology are some of his most significant achievements. He conducted extensive research on the country's bird population, publishing the first complete catalogue of Argentinian birds in 1865. This work, titled "Catalogue of the Birds of the Argentine Republic," was a significant contribution to the field, and it helped establish Gutiérrez as an important figure in Argentine natural history.
Overall, Juan María Gutiérrez was a multifaceted intellectual who made significant contributions to literature, science, and politics in Argentina. His legacy as an influential writer and naturalist continues to be felt in Argentina and beyond.
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Lautaro Murúa (December 29, 1926 Tacna-December 3, 1995 Madrid) a.k.a. Lautaro Murua was an Argentine screenwriter, film director and actor.
Lautaro Murúa is known for his contributions to the Argentine Cinema during its "Golden Age". He started his career as an actor in 1952 and worked in more than thirty films in Argentina, Spain, and Italy. Some of his notable works include "La Patagonia rebelde" (1974), a historical film based on a strike led by rural workers in Argentina in the early 20th century, and "Los siete locos" (1973), a film adaptation of Roberto Arlt's novel of the same name. Murúa also directed and wrote the screenplay for several films, including "El romance del Aniceto y la Francisca" (1967), a romantic comedy-drama that depicted the rural life of Argentina, and "Alguien como yo" (1970), a film that explored the themes of identity and self-discovery. In addition to his contributions to cinema, Murúa was also a prominent figure in the Argentine theater scene, where he directed and acted in numerous plays throughout his career.
Murúa was born to Bolivian parents in Tacna, Peru, but his family moved to Argentina when he was a child. He grew up in Buenos Aires and started his career as an actor in theater productions. His breakthrough role came in 1954 with the film "Los tallos amargos", directed by Fernando Ayala. He starred in several other critically acclaimed films, including "La mano en la trampa" (1961) and "El dependiente" (1969).
In addition to his work in cinema and theater, Murúa was also involved in politics. He was a member of the Peronist Party and supported the leftist movement in Argentina. He was imprisoned for a brief period during the military dictatorship in the 1970s but was later released.
Murúa's legacy in the Argentine film industry continues to be celebrated to this day. In his honor, the Lautaro Murúa National Film Competition was established in 1997 to encourage and promote emerging filmmakers in Argentina. His films are still screened at international film festivals and his contributions to Argentine cinema are remembered as a significant part of the country's cultural history.
He died as a result of lung cancer.
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Héctor Pellegrini (August 6, 1931 Buenos Aires Province-November 1, 1999 Mar del Plata) was an Argentine actor.
Pellegrini's acting career spanned over four decades, during which he appeared in numerous films, TV shows, and plays. He is particularly renowned for his memorable roles in films such as "Setenta veces siete", "El Proceso", and "Pubis angelical". He was also a regular on the popular Argentine TV show "Los Campanelli" in the 1970s. In addition to his acting work, Pellegrini was a theater director, with productions including "El gran océano" and "El pasaje de los sueños". He received several awards and recognitions for his contributions to Argentine culture and the performing arts. Pellegrini's legacy lives on in the many films and TV shows he acted in, as well as the plays he directed and the actors he inspired.
Pellegrini started his acting career in the 1950s, with his first film appearance in "La Novia" in 1955. He went on to work with renowned directors such as Carlos Saura, Guillermo del Toro, and Jorge Luis Borges. One of his most acclaimed performances was in the film "The Seed of Discord" (La Galleta), which won the Silver Condor Award for Best Film in 1970. Pellegrini was also a celebrated stage actor, appearing in productions such as "El gran teatro del mundo" and "La lección" among others.
Aside from his artistic pursuits, Pellegrini was an avid football supporter and even played professionally for the Club Atlético Independiente in his youth. He was also known for his political activism and supported leftist causes in Argentina, which led to him being blacklisted during the military dictatorship of 1976-1983.
Pellegrini's impact on Argentine cinema and theater cannot be overstated, and his contributions have been celebrated with numerous posthumous awards, including the Konex Award for Best Actor of the Decade in 1981 and a special tribute at the Mar del Plata International Film Festival in 2011. He is remembered as one of the most talented and versatile actors in Argentine history, and his legacy lives on in the many films, plays, and TV shows he starred in.
He died in cerebral contusion.
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Justo José de Urquiza (October 18, 1801 Argentina-April 11, 1870 San José palace) a.k.a. Justo Jose de Urquiza was an Argentine personality.
He was a general and politician who played a crucial role in the early years of Argentina's independent history. Urquiza commanded the Argentine army during the civil wars that plagued the country after independence from Spain in 1816. He eventually became the governor of the province of Entre Rios and later the first president of the Argentine Confederation, a loose union of the country's provinces.
As president, Urquiza promoted the development of Argentina's economy and infrastructure, making significant strides in education, transportation, and agriculture. However, his tenure was marked by political turmoil and an ongoing power struggle with Buenos Aires, the country's most important province.
Urquiza's presidency came to an end in 1861 after a military conflict with Buenos Aires that ended in a decisive victory for Buenos Aires. He retired to his estate in the province of Entre Rios, where he was assassinated in 1870 by opponents seeking revenge for his role in Argentine politics. Despite his controversial legacy, Urquiza remains an important figure in Argentina's national history, particularly for his contributions to its early development.
Urquiza was born in Entre Rios, Argentina, to a wealthy family. His father was a military officer, and his mother was the daughter of a renowned politician. Urquiza was educated in Uruguay and became interested in politics at an early age. He joined the political movement that sought to overthrow the ruling dictator, Juan Manuel de Rosas.
Urquiza gained prominence in the 1840s as a military commander during the civil wars that erupted in Argentina. He earned a reputation as a skilled tactician and led his army to several victories over Rosas' forces. In 1851, Urquiza defeated Rosas' army in the Battle of Caseros, bringing an end to the dictator's rule.
Following Rosas' downfall, Urquiza became the governor of Entre Rios, where he focused on developing the province's agricultural sector. He also worked to strengthen Argentina's ties with its neighboring countries and fostered free trade agreements with Brazil and Uruguay.
In 1853, Urquiza became the first president of the Argentine Confederation, a federal system that granted greater autonomy to the country's provinces. As president, he implemented many reforms, including the creation of a national constitution and the establishment of a national army.
However, Urquiza's presidency was marred by political rivalries with the city of Buenos Aires, which he saw as a threat to the unity of the country. Buenos Aires resisted Urquiza's attempts to centralize power in the national government, leading to a military conflict in 1859. The conflict ended with Urquiza's defeat, and Buenos Aires seceded from the Confederation.
After his presidency, Urquiza retired to his estate in Entre Rios, where he continued to play a role in provincial politics. He was assassinated in 1870 by a group of political opponents. Despite his controversial legacy and complex role in Argentine history, Urquiza’s contributions to the country's development remain a topic of debate and study.
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Saúl Calandra (October 22, 1904 La Plata-May 14, 1973) was an Argentine personality.
He was a lawyer, politician, journalist, and educator who dedicated his life to promoting freedom of expression and democratic values. Calandra was known for his work as the founder and director of Democracia, a newspaper that became the voice of opposition against the Peronist government in Argentina. He also served as president of the Argentine Press Association and was a member of the Argentine Congress. Throughout his life, Calandra fought for human rights, social justice, and the rule of law, and his legacy continues to inspire those who work towards these ideals in Argentina and beyond.
In addition to his influential work in journalism and politics, Saúl Calandra was also a well-respected educator. He founded and directed the College of Journalists of La Plata, which offered training programs for aspiring journalists and helped to improve the quality of reporting in Argentina. Calandra was also a professor of Constitutional Law at the National University of La Plata, where he taught for over 20 years.
During his career, Calandra received many accolades for his contributions to Argentine society. In 1961, he was awarded the Konex Platinum Award for his role in promoting freedom of the press. He also received the Gold Medal of the National Congress for his work in defense of democratic values.
Despite facing censorship and persecution from the Peronist government, Calandra continued to speak out against injustices and advocate for democracy until his death in 1973. He remains a symbol of courage and determination in the face of adversity, and his legacy serves as a reminder of the importance of freedom of expression and human rights in any society.
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Ernesto Grillo (October 1, 1929 Buenos Aires-June 18, 1998 Buenos Aires) was an Argentine personality.
He was best known for his work as a film director and screenwriter but also dabbled in literature, theater, and journalism throughout his career. Grillo began his career in the Argentine cinema industry in the 1950s, working as a second assistant director on several productions. He eventually went on to direct and write several critically acclaimed films, including "Los jóvenes viejos," "Una vez en la vida," and "Esa mujer." Grillo also worked as a film critic for the national newspaper La Nación and hosted his own radio show, which focused on Argentine cinema. In addition to his work in the arts, Grillo was an active member of the Argentine Communist Party and served as a senator for the city of Buenos Aires in the 1980s. Grillo's contributions to Argentine cinema and his dedication to leftist politics have left a lasting impact on the country's cultural and political scene.
Grillo's work was widely recognized both within Argentina and internationally. He received numerous awards for his films, including the Silver Condor Award from the Argentine Film Critics Association and the Special Jury Prize at the Locarno International Film Festival. He was also invited to sit on the jury of several international film festivals, including Cannes and Berlin.
Apart from his work as a filmmaker, Grillo was also a prolific writer, publishing several books on film theory, as well as a memoir detailing his experiences as a film director. He was also known for his outspoken political views, particularly his criticism of the military dictatorship that ruled Argentina from 1976 to 1983. Grillo's activism and advocacy for leftist politics led to his arrest and imprisonment on several occasions.
Grillo's legacy continues to be felt in Argentine cinema, as well as in the country's cultural and political arena. He is remembered as a talented filmmaker, a passionate activist, and an important voice in Argentine society.
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Mariano Acosta (September 8, 1825 Buenos Aires-September 17, 1893 Buenos Aires) was an Argentine lawyer.
He was also a politician, writer, and educator who played a prominent role in the educational reforms of Argentina during the late 19th century. Acosta began his career in law and politics in the 1850s, working as a lawyer and serving in the provincial legislature. In 1861, he was elected to the national congress and continued to serve in various political positions throughout the 1870s and 1880s.
Acosta was also a prolific writer and historian, and he published numerous books and articles on Argentine history, education, and politics. In 1883, he was appointed the director of the National Normal School, where he implemented many innovative educational reforms, including new teacher training programs and modern teaching methods. These reforms helped to promote education and literacy throughout Argentina and established Acosta as a leading figure in the country's educational system.
Acosta was also involved in the cultural and intellectual life of Buenos Aires, and he was an active member of many literary and intellectual societies. He died in Buenos Aires in 1893 and is remembered today as a key figure in the development of modern education in Argentina.
Acosta's educational reforms were greatly influenced by the pedagogical theories of French philosopher Victor Cousin. He introduced the concept of normal schools, or teacher training schools, to Argentina, which were instrumental in producing a generation of well-trained and skilled educators. Acosta also believed in the importance of incorporating physical education into the curriculum, and he established gymnasiums in many schools across the country.
In addition to his political and educational pursuits, Acosta was also an accomplished writer. His works focused on Argentine history and literature, and he was a strong advocate for the preservation of national culture and identity. He served as the director of the National Historical Museum and published several historical books, including "Historia de la República Argentina" (History of the Argentine Republic).
Acosta's legacy in Argentina can still be seen today. The National Normal School that he led is now known as the "Mariano Acosta" National Normal School, and many schools across the country bear his name. His contributions to education and culture are widely recognized, and he is remembered as one of the most influential figures in Argentine history.
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Ramón Aguirre Suárez (October 18, 1944 Argentina-May 29, 2013) was an Argentine personality.
He was a renowned businessman and entrepreneur who founded several companies in Argentina and other parts of Latin America. Aguirre Suárez was also actively involved in politics and served as the Secretary of Agriculture during the presidency of Carlos Menem from 1991 to 1999. Under his leadership, Argentina witnessed significant growth in its agricultural sector.
Besides his business and political ventures, Aguirre Suárez was also known for his philanthropic activities. He actively contributed to various charities and social causes, with a focus on providing education and healthcare to underprivileged sections of society.
His legacy continues to inspire many young entrepreneurs and leaders in Argentina and beyond.
In addition to his achievements in business, politics, and philanthropy, Ramón Aguirre Suárez was also a well-known sports enthusiast. He was a passionate fan of soccer and was actively involved in the administration of the Atletico River Plate football club. Aguirre Suárez was a visionary leader who constantly pushed the boundaries and strove to make a difference in the lives of people around him. He played a crucial role in the development and modernization of the agriculture sector in Argentina, which bolstered the country's economy and enhanced its global standing. His contribution to the social and economic development of Argentina continues to be celebrated to this day.
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Vicente Padula (July 14, 1898 Buenos Aires-January 16, 1967 Glendale) also known as Vincente Padula or Vincent Padula was an Argentine actor.
During his early years, Vicente Padula honed his acting skills by performing in local theater productions in Buenos Aires. He made his film debut in 1939 in the Argentine film "Hermanos." Throughout his career, he appeared in over 50 films in both Argentina and the United States. Some of his notable film credits include "The Devil Pays Off" (1941), "The Falcon Takes Over" (1942), and "Mexican Hayride" (1948).
Padula also made numerous appearances on television, most notably on the popular TV series "The Adventures of Rin Tin Tin" in the 1950s. In addition to his acting career, Padula was also a skilled musician, playing the double bass in jazz bands in his younger years.
Despite his success in the entertainment industry, Padula faced personal challenges, including struggles with alcoholism. He passed away in 1967 at the age of 68 due to complications from peritonitis.
Padula was born in Buenos Aires to Italian immigrant parents. In addition to his acting and musical talents, he was also a proficient linguist, speaking Spanish, Italian, French, and English. Padula often played supporting roles in films, but was known for his versatile acting abilities and ability to play a variety of characters. His performance in the 1950 film "Cinderella" earned him critical acclaim and solidified his reputation as a talented character actor. Padula was married to fellow Argentine actress Delia Garcés, with whom he appeared in several films throughout his career. However, their marriage was marred by both of their struggles with alcoholism. Despite his personal struggles, Vicente Padula is remembered as a talented actor and musician who made significant contributions to both the Argentine and American entertainment industries.
He died in peritonitis.
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Pedro Maffia (August 28, 1899-October 16, 1967) also known as Maffia, Pedro or Pedro Mario Maffia was an Argentine musician, film score composer, actor, composer and music teacher.
His discography includes: .
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Santiago Albarracín (July 23, 1800 San Juan-April 20, 1869 Córdoba) was an Argentine soldier.
He was one of the most notable leaders of the Argentine Army during the civil wars that raged in Argentina during the 19th century. Albarracín participated in the defeat of the Unitarian forces during the Battle of Oncativo and in the Battle of La Tablada. He also played an important role in the Argentine Confederation's victory over the Chilean-Peruvian fleet during the naval campaign of the War of the Pacific. In addition to his military career, Albarracín served as a politician, holding positions such as the chairman of the Provincial Chamber and Senator of the Confederation. His legacy is still celebrated in Argentina and his name is remembered for his bravery and unwavering commitment to his country, even in the face of adversity.
Albarracín was born into a humble family and had to work from an early age to support them. He enlisted in the military at the age of 18 and quickly rose through the ranks due to his excellent leadership skills and strategic thinking. Albarracín was known as a fearless soldier and his men admired him for his bravery in battle.
During the civil wars, Albarracín sided with the Federalists, who were led by Juan Manuel de Rosas. He fought against the Unitarians, who were trying to overthrow Rosas and establish a centralized government. Albarracín's victories in the battles of Oncativo and La Tablada were crucial to the Federalists' success in the conflict.
In later years, Albarracín entered politics and became an influential figure in Argentina. He served as the chairman of the Provincial Chamber and Senator of the Confederation, advocating for state autonomy and a strong federal government. Albarracín's legacy as a military hero and political leader is still celebrated in Argentina, and his memory is honored through statues, monuments, and streets named after him.
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Santiago Carlos Oves (September 14, 1941 Buenos Aires-May 2, 2010 Buenos Aires) also known as Carlos Oves was an Argentine film director, screenwriter, actor, television director and film producer.
He began his career in the film industry as an assistant director in the 1960s and eventually went on to direct his own films in the 1970s. Oves was known for his socially conscious films that often dealt with political and economic issues in Argentina. Some of his notable films include "El Habilitado" (1970), "La Raulito" (1975), and "Los Pasajeros del Jardín" (1982).
In addition to his work in film, Oves also worked in television, directing and producing programs for Argentine television. He was also an actor, appearing in several films and TV shows throughout his career.
Throughout his career, Oves received numerous awards and recognition for his contributions to the film industry in Argentina. He passed away in 2010 at the age of 68.
Oves was born on September 14, 1941, in Buenos Aires, Argentina. He was the son of a Russian immigrant family, and his father was a tailor. Oves grew up in the working-class neighborhood of Boedo, which would later become one of the subjects of his films. He studied at the Escuela Nacional de Bellas Artes, where he developed an interest in painting and drawing. Later on, he pursued a career in the film industry.
Oves' film career began in the 1960s when he worked as an assistant director for several Argentine directors, including Manuel Antin and Leonardo Favio. His directorial debut came with the film "El Habilitado" in 1970, which dealt with issues such as poverty and social inequality. Oves continued to make films throughout the 1970s and 1980s, including "La Raulito" (1975), a biopic about a famous street performer, and "Los Pasajeros del Jardín" (1982), a film about a group of people living in a boarding house.
Apart from films, Oves also worked in television, directing and producing popular programs such as "Mesa de Noticias" and "El Portero". He also acted in several films and TV shows throughout his career.
Oves received many accolades for his work in the film industry, including awards at international film festivals such as Cannes, San Sebastian, and Chicago. In 2001, he was awarded the Konex Award of Merit for his contributions to Argentine cinema.
Carlos Oves was a visionary filmmaker and artist who used his work to shed light on the social and political issues affecting his country. He passed away on May 2, 2010, leaving behind a rich legacy that continues to inspire filmmakers in Argentina and beyond.
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