Brazilian musicians died when they were 62

Here are 7 famous musicians from Brazil died at 62:

Graça Aranha

Graça Aranha (June 21, 1868 São Luís-January 26, 1931 Rio de Janeiro) also known as Graca Aranha was a Brazilian writer and diplomat.

He is most famous for his novel "Canaã" which was published in 1902 and is considered a masterpiece of Brazilian literary modernism. Aranha was also a prominent intellectual figure in Brazil and was instrumental in the development of the Modernist Movement in Brazilian literature.

In addition to his literary achievements, Aranha was a distinguished diplomat who served as Brazil's ambassador to both the United States and France. He was also involved in organizing the Brazilian Pavilion at the 1922 International Exhibition of Modern Decorative and Industrial Arts in Paris, which helped promote Brazilian art and culture to an international audience.

Aranha was widely respected for his contributions to Brazilian culture and was a member of the Brazilian Academy of Letters. Despite his success as a writer and diplomat, Aranha suffered from depression throughout his life and died by suicide in 1931. Nevertheless, his impact on Brazilian literature and culture continues to be celebrated to this day.

Throughout his life, Graça Aranha was an avid supporter of Brazilian nationalism, which he believed was key to the country's cultural and political development. He was particularly interested in the relationship between Brazil and the United States, and was one of the organizers of the 1922 Brazilian Week exhibition in New York, which showcased Brazilian art and culture to American audiences.

Aranha was also well known for his essays, which dealt with a range of subjects including aesthetics, philosophy, and Brazilian politics. His most famous essay, "Estética da Vida" ("The Aesthetics of Life"), published in 1920, dealt with the role of art in society and was widely influential in shaping the aesthetics of Modernism in Brazil.

In addition to his literary and diplomatic work, Aranha was also involved in the development of education in Brazil. He founded the Brazilian Academy of Fine Arts in Rio de Janeiro in 1930, with the goal of promoting the study and practice of the fine arts in the country.

Despite his depression, Aranha's legacy continues to be celebrated in Brazil. In 1968, on the centenary of his birth, the Brazilian government declared him a "Hero of Brazilian Culture." His novel "Canaã" continues to be read and studied in Brazilian universities, and his contributions to Brazilian literature and culture are widely recognized.

In addition to his political and cultural activities, Graça Aranha also had a strong interest in spirituality and mysticism. In his later years, he became increasingly drawn to Theosophy, a spiritual movement that sought to blend Eastern and Western spiritual traditions. Aranha's interest in Theosophy is reflected in his later works, such as his novel "Seara Vermelha" ("Red Harvest"), which features characters who are members of a Theosophical society.

Aranha's influence on Brazilian literature was significant, as he helped shift the focus of Brazilian literature away from traditional romanticism and towards modernist and avant-garde styles. He was also a key figure in the creation of the Brazilian Academy of Letters, which aimed to promote the development of Brazilian literature and language.

Despite his many accomplishments, Aranha was not without controversy. He was criticized by some for his support of European modernism and for his association with the Brazilian elite. Some of his political views were also controversial, particularly his support of eugenics and his belief that Brazil should strive to become a "racial democracy" by promoting miscegenation.

Despite these criticisms, Graça Aranha remains an important figure in Brazilian culture and his work continues to be an inspiration to many writers and intellectuals.

In addition to his interest in spirituality and mysticism, Graça Aranha was also a polyglot, fluent in several languages including Portuguese, French, English, Spanish, and German. This proficiency in languages was instrumental in his diplomatic career, as he was able to communicate effectively with diplomats from various countries. Aranha was also a proponent of Pan-Americanism, advocating for greater cooperation and unity among the countries of the Americas. He believed that Brazil had a unique role to play in the development of a Pan-American culture, given its size and diversity. Aranha's legacy continues to be studied and celebrated in Brazil, where his contributions to literature, politics, and diplomacy are widely recognized.

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Francisco Adolfo de Varnhagen, Viscount of Porto Seguro

Francisco Adolfo de Varnhagen, Viscount of Porto Seguro (February 17, 1816 Sorocaba-June 26, 1878 Vienna) was a Brazilian writer, diplomat, historian and soldier.

Varnhagen was born to a family of German origin and arrived in Brazil at a young age. He enlisted in the Brazilian Army and participated in the War of Cisplatina and the Farroupilha Revolution. After leaving the military, he traveled to Europe, where he developed an interest in history and began writing about Brazil's past. In 1844, he published his most notable work, "Historia Geral do Brasil," which remains one of the most important works of Brazilian historiography. Varnhagen was also a successful diplomat, serving in both Portugal and Austria-Hungary, where he was appointed as Brazil's ambassador. His contributions to Brazilian history and culture were recognized in 1847, when he was awarded the title of Viscount of Porto Seguro by Emperor Pedro II.

Varnhagen's passion for history led him to found the Brazilian Historical and Geographical Institute in 1838, which remains an important institution today. In addition to his own writings, Varnhagen translated several important works into Portuguese, including the letters of Christopher Columbus. He was also an influential figure in the cultural life of Brazil, promoting the study of Brazilian literature and arts. Despite spending much of his adult life abroad, Varnhagen remained deeply connected to his homeland and continued to write about Brazil until his death. His contributions to Brazilian literature and history have made him an important figure in the country's intellectual history.

Varnhagen's interest in history was influenced by his travels to Europe, where he was able to access important historical documents and archives. He was particularly interested in the history of the Portuguese empire and its colonization of Brazil. His research into Brazil's past was groundbreaking and helped to establish the field of Brazilian historiography as a serious academic discipline.

In addition to his writing and diplomatic work, Varnhagen was also an avid collector of art and artifacts related to Brazil's history and culture. He amassed a significant collection of works, which he donated to the Brazilian Historical and Geographical Institute upon his death.

Later in life, Varnhagen was plagued by health problems and spent much of his time traveling in search of a cure. He died at the age of 62 while on a trip to Vienna. Despite his untimely death, his legacy lives on as an important figure in Brazilian history and culture.

Varnhagen's contributions to Brazilian culture were not limited to writing and historical research. He was also interested in promoting the arts, and was a driving force behind the establishment of the Brazilian Academy of Fine Arts in 1826. He recognized the importance of encouraging artists to create works that reflected Brazil's unique identity and history, and worked tirelessly to support and promote the development of Brazilian art.

Varnhagen also played an important role in the political life of Brazil. In addition to serving as a diplomat, he was involved in various political movements and was an advocate for the abolition of slavery. He was a strong supporter of Emperor Pedro II, and served as his personal advisor on matters of state.

Despite his many accomplishments, Varnhagen's legacy has been somewhat overshadowed by controversy over his views on race and indigenous peoples. In his writing, he often portrayed indigenous Brazilians in a negative light, and believed that Brazil's mixed-race population was inferior to Europeans. While this perspective was not uncommon for his time, it has since been widely criticized as biased and ethnocentric.

Despite these criticisms, Francisco Adolfo de Varnhagen remains a significant figure in Brazilian intellectual history. His contributions to scholarship, diplomacy, and the arts have made him an enduring symbol of Brazil's cultural heritage and national identity.

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Marinho Chagas

Marinho Chagas (February 8, 1952 Natal-June 1, 2014 João Pessoa, Paraíba) was a Brazilian personality.

Marinho Chagas was a former professional football player and coach. He played as a left-back and is regarded as one of the best Brazilian defenders of all time. He started his career with ABC Foot-ball Club in 1970 and played for various other clubs in Brazil before moving to New York Cosmos in the North American Soccer League. In his time with Cosmos, he won three league titles and was named NASL's Best Defender in 1978. He also played for the Brazilian national team, where he earned 36 caps and scored 6 goals. After retiring, he became a coach and managed several Brazilian clubs. He was inducted into the National Soccer Hall of Fame in 2014, shortly after his death.

Marinho Chagas was born in Natal, Rio Grande do Norte, Brazil on February 8, 1952. He started playing football at a young age, and joined ABC Foot-ball Club in 1970 at the age of 18. After playing for ABC and other clubs in Brazil, he joined New York Cosmos in the North American Soccer League in 1976.

During his time with Cosmos, Marinho Chagas earned a reputation as one of the top defenders in the league. He helped the team win three NASL titles, and was named Best Defender in 1978. He also played for the Brazilian national team, representing his country in the 1974 and 1978 World Cups, where he scored two goals.

After retiring from playing, Marinho Chagas became a coach and managed several Brazilian clubs, including ABC, América FC, and Botafogo PB. In 2014, he was inducted into the National Soccer Hall of Fame in recognition of his outstanding career as a player.

Sadly, Marinho Chagas passed away on June 1, 2014 in João Pessoa, Paraíba, Brazil, as a result of gastrointestinal bleeding. He was 62 years old at the time of his death. Despite his untimely passing, his legacy as one of the best Brazilian defenders of all time lives on, and he is remembered as a true legend of the sport.

Before his career in football, Marinho Chagas had dreams of becoming a professional basketball player. However, due to his height, he was encouraged to pursue football instead. Known for his incredible skill on the field, he was often referred to as "The Magician" and was one of the first left-backs to bring an attacking style of play to the position.

Marinho Chagas was also known for his eccentric personality and fashion sense, often wearing brightly colored suits and flamboyant outfits off the field. He was married twice and had two children. In addition to his induction into the National Soccer Hall of Fame, a stadium in Natal, Brazil was renamed in his honor after his death.

Marinho Chagas was not only a talented football player, but also a lover of music. He played the guitar and even collaborated with musician Gilberto Gil, who wrote the song "Maracatu Atômico" in his honor. Marinho Chagas was also a supporter of social causes and participated in campaigns to combat racism and promote education. He was deeply connected to his hometown of Natal and was actively involved in community initiatives there. In his later years, he suffered from health issues and financial difficulties, but he remained beloved by fans and respected by his peers in the football world. Marinho Chagas' legacy as a football icon and cultural figure in Brazil continues to inspire generations.

He died as a result of gastrointestinal bleeding.

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Fernando Giudicelli

Fernando Giudicelli (March 1, 1906 Brazil-December 28, 1968) was a Brazilian personality.

He was a noted artist, known for his paintings, murals, and sculptures. Giudicelli graduated from the Escola Nacional de Belas Artes in Rio de Janeiro in 1929 and later moved to São Paulo where he became a prominent figure in the city's artistic community. His work often depicted scenes from Brazilian culture and history, and he was known for his use of color and bold compositions. In addition to his work as an artist, Giudicelli was also an educator and taught at several art schools throughout his career. He was widely celebrated in Brazil for his contributions to the country's cultural heritage and is considered one of the most important artists of his generation.

Giudicelli received numerous awards during his lifetime, including the prestigious Grand Prix at the Sao Paulo Art Biennial in 1953. In addition to his work as a painter and sculptor, he also worked on several large-scale public art projects, including murals for the Ministry of Education and Culture in Rio de Janeiro and a monument to Brazilian aviation in São Paulo. Giudicelli was deeply committed to advancing the arts in Brazil and played an important role in promoting modernist aesthetics in the country. He was also a vocal advocate for the preservation of Brazilian cultural heritage, and his work often reflected a concern for social justice and political issues. Today, Giudicelli's artwork can be found in museums and galleries throughout Brazil and is highly valued by collectors and art enthusiasts around the world.

Despite his success as an artist, Fernando Giudicelli faced some setbacks during his career. In the 1950s, his work was initially rejected by the Brazilian Communist Party due to his political views being seen as too moderate. Additionally, after a fire destroyed many of his works in 1956, Giudicelli was forced to rebuild his career from scratch. He later went on to become a member of the Brazilian Academy of Fine Arts and was posthumously awarded the Order of Merit for Culture from the Brazilian government in 1986. Today, he is widely acknowledged as a pioneer of Brazilian modernism and an important figure in the country's cultural history.

Giudicelli was born in Rio de Janeiro, Brazil, to a family of Italian immigrants. Growing up, he showed an early aptitude for art and began studying at the Escola Nacional de Belas Artes at the age of 17. After completing his studies, he traveled to Europe to further his education and was deeply influenced by the work of artists such as Pablo Picasso and Georges Braque.

In addition to his work as a painter and sculptor, Giudicelli was also a writer and published several books on art and culture, including "The Social Function of Art" and "The Problem of the Brazilian Artist." He was actively involved in the Brazilian cultural scene throughout his life and was a founding member of several important cultural organizations, including the Association of Brazilian Artists and the Modern Art Society of São Paulo.

Despite his many achievements, Giudicelli remained committed to social causes and was known for his support of labor unions and progressive political movements. He was a friend and supporter of several prominent Brazilian politicians, including the socialist leader Luiz Carlos Prestes and the left-wing writer Jorge Amado.

Today, Fernando Giudicelli is remembered as one of Brazil's most important artists and cultural figures. His legacy continues to inspire new generations of Brazilian artists and his contributions to the country's cultural heritage remain a vital part of its artistic legacy.

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Quarentinha (September 15, 1933 Belém-February 11, 1996 Rio de Janeiro) was a Brazilian personality.

He was a professional football player who played as a striker. Quarentinha began his career playing for Paysandu in Belém before moving on to play for big Brazilian clubs such as Botafogo and Flamengo. He was known for his impressive goal-scoring ability and is considered one of the greatest players in Botafogo's history. After his retirement from playing, Quarentinha became a football coach and managed several clubs in Brazil. He is remembered as an important figure in Brazilian football and is honored with a statue in his hometown of Belém.

In addition to his success on the field, Quarentinha was known for his quick wit and charismatic personality. He became a beloved public figure in Brazil, known for his humor and charm both on and off the pitch. Quarentinha was also an advocate for player's rights and worked to improve conditions for professional footballers in Brazil. In his later years, he suffered from health problems, but continued to be involved in the football community until his passing in 1996. Today, Quarentinha is remembered as a legend of Brazilian football and an inspiration to future generations of players and fans.

During his time at Botafogo, Quarentinha was part of the team that won several important titles, including the Rio de Janeiro State Championship in 1957, 1961 and 1962 and the Brazilian Championship in 1968. He scored 313 goals in 520 games over the course of his career, making him one of the most successful Brazillian football players of all time.

In addition to his work as a coach and player, Quarentinha was also known for his charitable efforts. He was particularly involved in supporting children and adolescents at risk, working with organizations to provide education and opportunities to those in need.

Quarentinha's legacy continues to be celebrated in Brazil, with many young players looking up to him as a role model. A street in Botafogo is named in his honor, and he is remembered as a beloved figure across the country.

Quarentinha's real name was Waldemar de Brito. He picked up the nickname "Quarentinha" which means "little forty" because he was only 1.68 meters in height and wore the number 40 jersey during his time at Flamengo. He started playing football at a young age and was scouted by Paysandu, where he made his professional debut in 1952. During his time at Botafogo, Quarentinha played alongside other great players such as Garrincha and Nilton Santos, helping the team become one of the most successful in Brazilian football history.

In addition to his success at the club level, Quarentinha also represented the Brazilian national team. He made his international debut in 1956 and went on to play in the 1958 World Cup, where Brazil won their first-ever title. However, Quarentinha only played in one match during the tournament, as he was overshadowed by other star players such as Pelé, Garrincha, and Vavá.

After retiring from playing, Quarentinha became a coach and managed several clubs in Brazil such as Paysandu, Remo, and Nacional. He had a successful coaching career, winning several regional titles and helping to develop young players. Quarentinha was also known for his love of samba music and could often be found playing the drums or singing at local events.

Quarentinha's impact on Brazilian football is still felt today. He is remembered as a player who combined skill, passion, and determination on the field, and as a person who used his platform to advocate for social change. His legacy continues to inspire new generations of Brazilian footballers and his name remains synonymous with the rich history and culture of Brazilian football.

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Mara Manzan

Mara Manzan (May 28, 1952 São Paulo-April 5, 2015) was a Brazilian actor.

She began her career in the theater in the 1970s and later moved on to television and film. Manzan was known for her dynamic range as an actress, and received critical acclaim for her performances in productions such as "A Semente" (1984) and "Sete Pecados" (2007). She was also a prominent figure in the LGBTQ+ community and was vocal about her support for gay rights. Manzan passed away in 2015 due to complications from multiple sclerosis.

Throughout her career, Mara Manzan appeared in over 30 television shows, 20 theater productions, and 20 films. Some of her most notable roles include "Dona Armênia" in the telenovela "Tieta" (1989), and "Nair" in the film "O Auto da Compadecida" (2000). In addition to her acting work, Manzan was also a respected acting teacher and mentor to many aspiring actors. She was known for her warm and generous personality, and her unwavering dedication to her craft. Despite facing numerous health challenges throughout her life, Manzan remained a source of inspiration to those around her, and continued to work and create until the very end.

Manzan was born in the neighborhood of Tatuapé, in São Paulo, Brazil, and attended local schools in the area. She discovered her love for acting at a young age, and went on to study theater at the renowned Escola de Arte Dramática in São Paulo. After graduation, she began performing in theater productions throughout the country, and quickly gained a reputation as one of Brazil's most talented young actresses. In the 1980s, Manzan transitioned to television and film work, and became a household name in Brazil thanks to her captivating performances and magnetic screen presence.

In addition to her professional accomplishments, Manzan was also a devoted activist and philanthropist. She was a strong advocate for women's rights and gender equality, and was an active supporter of numerous charitable organizations throughout Brazil. She was particularly passionate about helping children with disabilities and fighting for better education and healthcare standards for all Brazilians.

Despite her untimely passing, Mara Manzan's legacy as an actress and social justice pioneer continues to inspire countless people both in Brazil and around the world. Her contributions to the arts and to society as a whole will be remembered for generations to come.

Throughout her career, Mara Manzan was recognized with several awards for her outstanding work. In 1990, she won the APCA Trophy for Best Supporting Actress for her role in "Tieta". She also won the Grande Prêmio do Cinema Brasileiro for Best Supporting Actress in 2002 for her performance in "O Invasor" and in 2006 for "Casa de Areia". Apart from her acting career, Manzan was also a writer and published a book of poetry entitled "Dois ou Mais Versos" in 2008.

Manzan's impactful work and legacy was commemorated in various ways after her passing. In 2017, the São Paulo City Hall renamed a street in her honor: Rua Mara Manzan. Additionally, the Brazilian newspaper, Folha de S. Paulo, included her in their tribute to influential women who passed away in 2015, alongside renowned personalities like Ruth Cardoso and Yvonne Bezerra de Mello.

Mara Manzan's influence as an actress and a human rights advocate has left an indelible mark on Brazilian culture, making her a revered figure in the country's history. Her work as an actress, writer, activist, and community leader has inspired many to pursue their passions and fight for social change.

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Geraldo Del Rey

Geraldo Del Rey (October 29, 1930 Ilhéus-April 25, 1993 São Paulo) also known as Geraldo Del Rey Silva or The Brazilian Alain Delon was a Brazilian actor. His child is called Fabiano Carvalho Del Rey.

Geraldo Del Rey was best known for his performances in Brazilian Cinema Novo films, which were known for their stylistic and artistic innovations. He starred in iconic films such as "Black God, White Devil" and "Antonio das Mortes," both directed by Glauber Rocha. Del Rey was also a prominent figure on Brazilian television, appearing in several popular telenovelas in the 1980s. Prior to his acting career, Del Rey worked as a journalist and radio announcer. He was known for his charismatic and handsome persona on and off screen, earning him comparisons to French actor Alain Delon. Despite his success, Del Rey remained humble and committed to his craft. His legacy continues to be celebrated by film enthusiasts and actors alike.

Del Rey's career in cinema began in the early 1960s with his debut in Cinema Novo film "Barren Lives," directed by Nelson Pereira dos Santos. He went on to star in a number of other Cinema Novo films, including "The Guns," "The Age of Earth," and "The Dragonfly's Army." Del Rey also acted in international films, such as "The Adventurers" and "Orleans." His talent as an actor was recognized in Brazil and beyond, with the National Association of Critics of Brazil awarding him Best Actor for his role in "The Age of Earth" in 1964. Del Rey was also a respected theatre actor, appearing in productions of works by William Shakespeare and Anton Chekhov. In addition to his work in entertainment, Del Rey was active in politics, supporting socialist causes and advocating for workers' rights. His contributions to Brazilian culture have made him an indelible part of the country's artistic legacy.

Despite his early success, Del Rey faced challenges as he aged, including a struggle with alcoholism and a decline in acting opportunities. However, he remained committed to his craft and continued to work in theatre and television. In 1993, Del Rey passed away at the age of 62 due to complications from lung cancer. He is remembered as one of Brazil's most talented and beloved actors, whose performances continue to inspire new generations of artists. Today, there is a film festival in his honor, the Geraldo Del Rey Film Festival, which showcases the best in Brazilian and international cinema.

During his career in Brazilian cinema, Geraldo Del Rey became known for his collaborations with director Glauber Rocha, with whom he worked on several acclaimed films. One of their most notable collaborations was the 1964 film "Black God, White Devil," which tells the story of a peasant who becomes a bandit in order to fight against oppression in the Brazilian countryside. The film was a defining work of Cinema Novo, the Brazilian film movement that sought to create a new kind of cinema for the country. Del Rey's performance as the bandit, Manuel, was widely praised for its intensity and authenticity. He would go on to star in several more of Rocha's films, including "Antonio das Mortes" and "The Lion Has Seven Heads."

In addition to his acting work, Geraldo Del Rey was also a noted writer and journalist. He published several books, including a memoir titled "The Time of the Swallows," which chronicled his life and experiences in the arts. Del Rey was also deeply involved in politics, campaigning for workers' rights and socialist causes throughout his life.

Despite his passing, Geraldo Del Rey remains a beloved and influential figure in Brazilian culture. His contributions to cinema, television, and literature continue to be celebrated and studied by fans and scholars alike. Del Rey's legacy serves as a testament to the power of art and the enduring impact of those who devote themselves to its creation.

He died caused by lung cancer.

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